While there is no record of Sappho’s melodies, many others have since set her lyrics to music. A simple internet search will turn up many selections. Some have set Sappho’s lyrics to attempted recreations of Ancient Greek music. Others have used more contemporary musical styles. Mark Jickling and Chris Mason have even set their own translations of Sappho’s fragments to tunes inspired by Appalachian folk music.
I found two selections that I particularly enjoyed.
First is a video of Fragment #31 set to music by Eve Beglarian and performed by Andrea Goodman. Ms. Goodman plays the melody on a 7-string lyre and sings the lyrics in Ancient Greek. (There are English subtitles on the screen of the video.) It is simple yet moving. You can see the video here.
Second is Sappho: Nine Fragments for Contralto, which was composed in 1906. The music was written by Sir Granville Bantock with lyrics by Helen Bantock. Brown University posted this video on YouTube of a performance there of this piece on October 30, 2015. The performance features pianist Irina Nuzova and mezzo-soprano Kirsten Kane with narration by Jeffrey M. Duban.
Mr. Duban’s narration gives an excellent background to Sappho’s poetry and Bantock’s composition. He also recites several fragments both in English and in Ancient Greek.
Sir Granville Bantock’s music is dramatic, sweeping, moody, and intense as befits his subject.
Helen Bantock often combines several of Sappho’s fragments into each of the nine musical “fragments.” Ms. Bantock grouped Sappho’s fragments by theme in several instances. In one instance, though, Ms. Bantock combined several unrelated fragments to create a story of a failed love affair between “Sappho” and “Atthis.” Nevertheless, the story is very much in Sappho’s spirit. Overall the groupings are wisely chosen and very effective.
The piece is beautifully played and sung by Ms. Nuzova and Ms. Kane respectively. I would really like to hear a live performance of this someday.